'It seems like the art-house has gone to cable.'
|Photograph: Michael Muller|
Lynch hasn't directed a movie in almost a decade, and though there are occasional rumours of a script in the works, he seems doubtful that he'll ever make a feature film again. In 2011, he told another interviewer, "I don't know what's happening to cinema. It hasn't settled into what it's going to be next." Now, he says, it is settling – and he doesn't like what he sees.
"It's a very depressing picture. With alternative cinema – any sort of cinema that isn't mainstream – you're fresh out of luck in terms of getting theatre space and having people come to see it. Even if I had a big idea, the world is different now. Unfortunately, my ideas are not what you'd call commercial, and money really drives the boat these days. So I don't know what my future is. I don't have a clue what I'm going to be able to do in the world of cinema."
To many, Lynch's masterpiece was Twin Peaks, and he has attempted to return to the small(ish) screen since: his much-admired 2001 movie Mulholland Drive was initially planned as a television pilot. Last year, he and his fourth wife, actress Emily Stofle, had a baby daughter, who currently keeps him from watching much television, but he admits to enjoying Mad Men and Breaking Bad. He doesn't count out the prospect of making another show himself, and the economic models of AMC, HBO or Netflix might prove more amenable to his vision than the movie studios. "I like the idea of a continuing story," he says. "And television is way more interesting than cinema now. It seems like the art-house has gone to cable." [Read More]
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