X-Radiographic: Seeing Through Edward Hopper

From the Indianapolis Museum of Art Blog
A radiographic of Edward Hopper's Hotel Lobby (1943)
From Richard McCoy (Indianapolis Museum of Art Blog):
In the comments on that last post Karen T discussed the importance of being able to make a 1:1 comparison between a radiograph and a painting, and then Christina responded with some first-hand experience with our new system. I confess, though: I cheated a bit and asked Christina to answer that question because, after all, Christina is an experienced paintings conservator here at the IMA, and I’m not.

Christina and I were talking about all of this when the Chief Conservator, David Miller, walked into the lab and joined the discussion (you can find out more about both of them on the Mainardi web page). To make a long story longer, the three of us decided to put together an example that illustrates how the new system handles the 1:1 comparison issue. So David and Christina printed out an image to demonstrate a 1:1 comparison of the radiograph and the painting. The photo above is of Christina holding a 13” x 19” print out of a radiograph of the IMA’s Edward Hopper’s 1943 painting Hotel Lobby. The painting was fully radiographed as part of a technical study of Hopper’s painting technique for an exhibition (and catalogue) opening at the IMA in August of 2008, called Edward Hopper; Paper to Paint, that explores the relationship of the artist’s drawings and studies to the finished painting. [Read More]

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