The Art of Etel Adnan

The Paris Review on the work of the Lebanese-American artist
© Photo: Haupt & Binder
Nana Asfour (The Paris Review) on the art of Etel Adnan: 'At Callicoon Fine Arts, the small, independent gallery where we were standing, Photios Giovanis, the gallery’s owner, was showing Etel’s paintings. I had never seen Etel’s art in person before. Until very recently I didn’t even know she was an artist. I only knew her as a writer. As Kaelen spoke, I swiveled left and right, trying to get a glimpse of the works, but there were too many heads in the way. “Whenever I’m hanging out with a group of artists in Lebanon and Etel comes in, everyone is like ‘Oh, here’s Etel.’ She’s a very influential figure,” Kaelen, said. Kaelen hangs out with Lebanese artists often. She knows the Lebanese art scene very well. She writes about it for publications like Bidoun, Frieze, and Artforum. I don’t, in fact, know where Kaelen is from. But she writes great articles about Lebanese art. They almost all have the same theme: Lebanon is an insane, unruly, unstable place—but it has great artists.' [Read More]

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