
'The only answer to the question of the meaning of life has to begin from the fact of our human finitude, of our vulnerability and our fallibility. My personal belief that I’ve tried to argue for in my book Very Little… Almost Nothing—a winning title if ever there was one—is that we have to, in a sense, give up the question of the meaning of life, or at least hear it in a particular way. The formulation that I use in that book is “the acceptance of meaninglessness as the achievement of the everyday or the ordinary.” What I mean by that is that once we’ve accepted that the meaning of life is ours to make, we make meaning. Then we accept that we live in a situation, or, rather, that we inherit a situation of meaninglessness, and out of that meaninglessness we create meaning in relationship to the ordinariness of our common existence. I try to argue for a cultivation of the low, the common and the near—the everyday—as that in relationship to which we can make a meaning out of the meaninglessness of our existence.'
Some headaches are more persistent than others; there's the dull ache of tiredness, stress and exhaustion, and there's the arbitrary cruelty of the pounding, blinding migraine. On the other hand, there are metaphorical headaches: everyday frustrations, needless complexities and tiresome habit. They can be a kind of headache, too. And just as pervasive. At the moment I seem to be suffering from one such 'metaphorical' headache, and trying to establish some kind of meaning and purpose to my daily routine. And it's trickier than it looks.
I have always been someone satisfied by the simplest things in life. My idea of bliss is sitting on a park bench on a sunny morning, or looking at the way that light reflects through a cafe window. Edward Hopper once said 'Maybe I am not very human - what I wanted to do was to paint sunlight on the side of a house.' It's a straightforwardly unsentimental sentiment, and one I have always related to. But there are times when even these glorious daily joys aren't enough, or simply aren't around. I live in Wales, a country notorious for its rainfall, and there are times when the grey skies bring doom and gloom with a hint of ennui.
Funnily enough, I've always had similar ways of dealing with these down spells. I usually play jazz and blues music, which perks me up no end, and I try to do something constructive or creative with my time. This certainly helps. In fact, writing this blog has its part to play, too. But there are other routes that I enjoy taking, like contemplating the big questions. Life, Love and Death. You know. The Big Questions. But, and perhaps this is a contradiction, I'm never content with the thoughts that I think, or the answers that I read.
Lately, I've found an interesting - and entertaining - approach by British philosopher Simon Critchley. I suspect that I will be writing about him at some point in the future, so he has already been given his own blog-label inauguration. What he has written on Samuel Beckett, Wallace Stevens, Maurice Blanchot and Terrence Malick is sure to keep me rapt for months.
Critchley is preoccupied with the life and evolution of what it known as Continental Philsophy; that is, developments in European philosophy over the last two hundred years, that have attempted to bridge the gap between epistemology (the theory and study of knowledge) and wisdom (a guide to a happy and fulfilled life).
The idea of balancing a pursuit for knowledge with the pursuit of happiness is too good to resist, so I'm throwing myself in hot pursuit. I'm currently reading Critchley's Continental Philosophy: A very short introduction, and loving every minute of it. Of course, I am aware that the meaning of life is not to be found within its pages, but as always it's the journey that's exciting. And as long as there's a journey, an argument, a complication, then there's enough to keep me happy.
6 Comments:
I found your blog today, while searching for some stuff about Samuel Beckett.
I once told my oldest son that the purpose of life was to Withstand Irritation.
We are both still trying to do this on a daily basis.
I'm glad I found you!
It's a constant grind, there's no doubt about it. I spend my day reciting quotes and mantras to myself. 'Keep Calm and Carry On' is the current favourite.
It's great to hear from you; thank you for your comments!
Rhys
oh god, Simon Critchley...
When I first read "Very Little...Almost Nothing" (which is from a line in Derrida's "Violence and Metaphysics," I recently discovered) I punched the air with joy. At last, I had found an academic who shared all of my interests (Beckett, Stevens, Malick, Blanchot, Romanticism, and all of the questions you succinctly outlined), and who elucidated exactly how I feel about them.
However, now that I'm locked into a Ph.D program, I feel a bit resentful of his gifts. What's left for the mediocrities such as myself to prove when he has already said everything with such grace, humour, eloquence and smarts?
I'm beginning to understand why one encounters so much schoolyard jealousy, insecurity and back-biting amongst people in this profession. A person like Simon Critchley can make your enterprise seem so redundant!
His book "On Humour" is wonderful also.
However, I don't think his book about Wallace Stevens-- "Things as the are"-- is his finest moment. (Sorry, I can't help it!)
Thank you for your comment Annemarie,
I feel very similar about Critchley, but I'm still in the early stages. The closest I've come to 'Very Little... Almost Nothing' is a cursory glance through the contents, and a browse of the Beckett chapter. I love the fact that he discusses so many of my passions. It's a book that I have already put so much faith in that I'm almost too nervous to read it.
I had never really heard of Wallace Stevens before I encountered Critchley; well, nothing beyond his name, anyway. The style of the poetry was all new to me. And it was exciting to see that he was another writer I could relate to in a way I relate to Blanchot or Beckett.
I can certainly see how such a love and enthusiasm can lead to frustration and gridlock. It's difficult to be creative when you're in the shadow of someone you greatly admire and respect.
Rhys
I am also reading Continental Philosophy.Critchley is lecturing here in the US next week and I'm traveling to hear him.
I wish I had time to read more of his work, first.
I'm enjoying your blogs. I've been to Wales and found it beautiful, but solemn.
Our seasons, here in the north are dramatic but the winters' silence can be crushing. It helps to go to the beach and listen to the waves crash against the ice or to walk in tall forests to hear the trees clack against one another.
Hi Pamela,
You're traveling to see Critchley? This is great! I've seen a few of his discussions on Youtube, and he has a very dry sense of humour. I think it would be great to have an opportunity like yours. Hope you have fun!
Regarding Wales, someone once said of a village in the valleys that "there is a natural melancholy in the air." Incidentally, it was said by a lyricist from a local Welsh band, the Manic Street Preachers, who later disappeared. But it's something I've always related to. There's definitely something bleak about the place, and it sounds as though you can relate to that, too.
Perhaps that's why we spend our time reading introductions to philosophy.
Thank you for your comment,
Rhys
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